As an extension of the DARK FUTURES speaker series, Nikolas Badminton will carefully select a number of short videos by the world\u2019s edgiest producers and share them via this site.In Dark Futures Film Club \u2013Sinofuturism we see\u00a0that China has been focused on the future for a very long time.\u201cSinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clich\u00e9s.In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China\u2019s technological development can be seen as a form of Artificial Intelligence.\u201d\u2014Initially broadcast as part of Radio Study Day at Wysing Arts Centre, 21 August 2016.Thanks to: Joni Zhu, Steve Goodman, Gary Zhexi Zhang, Deforrest Brown, Samantha Culp, Justin Kim, Stephanie Bailey, Alvin Li, AVANT.org, After Us, Film & Video Umbrella, UCCA, Wysing Arts CentreChinese Subtitles by Wenfei Wang for \u2018The New Normal\u2019, an exhibition at UCCA, Beijing.